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Tuesday
January 8
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"Do you see what I mean?"
Introductions
Review Syllabus, Schedule, Course Texts/Films
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Thursday
January 10
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Reading: Blakesley and Brooke, "Introduction: Notes on Visual Rhetoric" (from Enculturation's special issue on Visual Rhetoric)
Introduction to WWWThreads, 680 Discussion Forum
How to Download and Read PDF Files from the Digital Coursepack
Review the "Notes on 680V Course Technologies" handout (PDF format)
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Week 2
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Tuesday
January 15
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"Do You See What I Mean" (from Illuminating Rhetoric, Blakesley; digital packet)
Defining Rhetoric and Visual Rhetoric
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Thursday
January 17
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Discuss Course Project (Step 1 due on Thursday, Jan. 24)
"What is Rhetoric?" (Covino and Jolliffe; Digital Packet)
"Visual Rhetoric" (Bernhardt; digital packet)
Bi-Weekly Response #1 Due
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Week 3
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Tuesday
January 22
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Barry, Visual Intelligence ("Film Logic and Rhetoric"; 191-249)
Screening of Hitchcock's Vertigo (5-8 p.m. in Heavilon 320)
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Thursday
January 24
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Laura Mulvey, "Visual Pleasure and Narrative Cinema" (Digital Packet)
Modleski, "Vertigo: Femininity by Design" from The Women Who Knew Too Much (Digital Packet)
For help with film terminology, download this Glossary of Film Terminology (digital packet)
Project Step 1 Due: A Contract Proposal in which you explain your subject, suggest some parameters for your research, and indicate why the subject interests you and how studying it will be beneficial. (Suggested length: 250 words.)
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Week 4
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Tuesday
January 29
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Barry, Visual Intelligence ("Perceiving Images"; 1-68)
Discussion of Vertigo
"Women's Writing/Women's Culture" ("The Wild Zone"), Showalter (printed handout)
Notes: Four Ways of Approaching Film Rhetoric (from Blakesley's The Terministic Screen: Rhetorical Perspectives on Film) (Digital Packet)
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Thursday
January 31
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Barry, Visual Intelligence ("The Nature and Power of Images"; 69-103)
Discussion of Vertigo continued.
Bi-Weekly Response #2 Due
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Week 5
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Tuesday
February 5
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Barry, Visual Intelligence (Part II, "Mediated Images"; 107-189)
Project Step 2 Due: A Clarification Project in which you explain what you already know about your subject, reflect upon your feelings and thoughts about the subject, and suggest how you might develop your understanding of the subject. (Suggested length: 500 words. 10% of course grade.)
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Thursday
February 7
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Barry, Visual Intelligence (Part III, "Controversial Images"; 253-338)
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Week 6
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Tuesday
February 12
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Mitchell, Picture Theory (1-107)
Read about Jerome Bruner and Leo Postman's "Tales of the Unexpected"
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Thursday
February 14
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Mitchell, Picture Theory (109-50)
Blakesley, Illuminating Rhetoric (Preface Part 1, and Introduction; digital packet)
Bi-Weekly Response #3 Due
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Week 7
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Tuesday
February 19
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Mitchell, Picture Theory (151-207)
Blakesley, Illuminating Rhetoric (Chapter 1; digital packet)
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Thursday
February 21
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Illuminating Rhetoric continued.
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Week 8
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Tuesday
February 26
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Robbe-Grillet, The Voyeur (3-71)
Walker Percy, "The Loss of the Creature" (digital packet)
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Thursday
February 28
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Annie Dillard, "Total Eclipse" (audio recording; in-class)
Robbe-Grillet, The Voyeur (75-140)
Project Step 3 Due: An Information Project. Find out what is already known about your subject and communicate that knowledge concisely in 2,000 words or less. The form of this portion of the project could be an annotated bibliography, a bibliographic or informative essay (i.e., a review of the literature), or some other format conducive to conveying information. Your purpose at this stage will be to inform, not to take a critical stance. This stage will culminate with a 5-10 minute oral presentation on your subject to the rest of the class.(Suggested length: 2,000 words. 15% of course grade.
Note that presentations for this step will take place on Tuesday, March 5.
No Bi-Weekly Response due this week!
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Week 9
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Tuesday
March 5
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Project Step 3 Presentations Due: A 5-10 minute oral presentation on your subject to the rest of the class.
Mitchell, Picture Theory (211-39)
Robbe-Grillet, The Voyeur (143-219)
Annie Dillard, "Total Eclipse" (digital packet)
Exploration Project Tips: 20 Questions for Exploration (RTF format) or "The Open Essay" (PDF format)
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Thursday
March 7
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Mitchell, Picture Theory (329-62)
Presentations continued.
Bi-Weekly Response #4 Due
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Week 10
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Tuesday
March 12
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Spring Vacation
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Thursday
March 14
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Spring Vacation
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Week 11
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Tuesday
March 19
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Film Viewing: The Usual Suspects (Part I)
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Thursday
March 21
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Film Viewing: The Usual Suspects (Part II)
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Week 12
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Tuesday
March 26
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Baudrillard, Simulations ("The Precession of Simulacra"; 1-42) (U of Michigan edition)
Blakesley, Sophistry, Magic, and the Vilifying Rhetoric of The Usual Suspects" (digital packet)
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Thursday
March 28
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Discussion of The Usual Suspects
Baudrillard, Simulations ("History: A Retro Scenario," 43-48; "Hypermarket and Hypercommodity," 75-78; and "The Implosion of Meaning in the Media," 79-86)
Bi-Weekly Response #5 Due
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Week 13
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Tuesday
April 2
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Miller, On Reflection (pp. 1-98)
Project Step 4 Due: The Exploration Project will be the stage when you foster intellectual "turbulence" by investigating the many facets and problems of your subject, asking a number of questions and offering a number of answers for each question, without feeling the need to present these questions and answers in a tightly organized essay. I want to see 10 questions, with 1-2 paragraph answers each. (Suggested length: 2,000 words. 10% of course grade.)
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Thursday
April 4
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Miller, On Reflection (pp. 99-209)
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Week 14
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Tuesday
April 9
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Miller, On Reflection continued.
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Thursday
April 11
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Mark Taylor, "Strange Loops" (Digital Packet)
Bi-Weekly Response #6 Due
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Week 15
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Tuesday
April 16
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James Elkins, "Just Looking" (Digital Packet)
Images of the Argus (PDF; 500 KB)
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Thursday
April 18
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Film, Visions of Light
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Week 16
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Tuesday
April 23
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Visions of Light continued (with discussion).
Watch the Strange Loops movie (Quicktime; 1 MB)
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Thursday
April 25
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Visual Rhetoric on the Web
Course Evaluations
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Finals Week
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Finals
April 29-May 3
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Project Step 5 Due: A Working Document Project where you will present the results of your inquiry in a format and with the depth that suits it. If you use a traditional format, think of your working document as the draft of a journal article. If another format, you'll just need to be careful to cover your subject matter effectively, given the medium and your purpose. A website or other multimedia presentation is possible. (Suggested length: 4,000 words. 20% of course grade.)
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