Section 0101
Heavilon 210
T/Th 12:00 - 1:15

Dr. David Blakesley
Office Hrs: T/Th 11-12, 3-4
Office: Heavilon 302c
Ph: 765.494.3772
Fax: 765.494.3780
blakesle@purdue.edu
IP Address (for ViaVideo): 65.6.224.125
Dr. B's Homepage

Note: All class meetings will be held during our regular class time. You are responsible for attending all meetings. The class meets in Heavilon 210. Special provisions may be made for film viewings or other special events

Week:

1

2

3

4

5

6

7

8

9

10

11

12

13

14

15

16

 

Class Mailing List
WWWThreads
Visual Rhetoric Web
Pronoun MOO
Purdue's OWL
English Department
Professional Writing Home
PW Documentation
PW Resources
Get Acrobat Reader

 

Week 1

 

Tuesday

January 8

"Do you see what I mean?"
Introductions
Review Syllabus, Schedule, Course Texts/Films

Thursday

January 10

Reading: Blakesley and Brooke, "Introduction: Notes on Visual Rhetoric" (from Enculturation's special issue on Visual Rhetoric)
Introduction to WWWThreads, 680 Discussion Forum
How to Download and Read PDF Files from the Digital Coursepack
Review the "Notes on 680V Course Technologies" handout (PDF format)

Week 2

Tuesday

January 15

"Do You See What I Mean" (from Illuminating Rhetoric, Blakesley; digital packet)
Defining Rhetoric and Visual Rhetoric

Thursday

January 17

Discuss Course Project (Step 1 due on Thursday, Jan. 24)
"What is Rhetoric?" (Covino and Jolliffe; Digital Packet)
"Visual Rhetoric" (Bernhardt; digital packet)

Bi-Weekly Response #1 Due

Week 3

Tuesday

January 22

Barry, Visual Intelligence ("Film Logic and Rhetoric"; 191-249)
Screening of Hitchcock's Vertigo (5-8 p.m. in Heavilon 320)

Thursday

January 24

Laura Mulvey, "Visual Pleasure and Narrative Cinema" (Digital Packet)
Modleski, "Vertigo: Femininity by Design" from The Women Who Knew Too Much (Digital Packet)
For help with film terminology, download this Glossary of Film Terminology (digital packet)

Project Step 1 Due: A Contract Proposal in which you explain your subject, suggest some parameters for your research, and indicate why the subject interests you and how studying it will be beneficial. (Suggested length: 250 words.)

Week 4

Tuesday

January 29

Barry, Visual Intelligence ("Perceiving Images"; 1-68)
Discussion of Vertigo
"Women's Writing/Women's Culture" ("The Wild Zone"), Showalter (printed handout)
Notes: Four Ways of Approaching Film Rhetoric (from Blakesley's The Terministic Screen: Rhetorical Perspectives on Film) (Digital Packet)

Thursday

January 31

Barry, Visual Intelligence ("The Nature and Power of Images"; 69-103)
Discussion of Vertigo continued.

Bi-Weekly Response #2 Due

Week 5

Tuesday

February 5

Barry, Visual Intelligence (Part II, "Mediated Images"; 107-189)

Project Step 2 Due: A Clarification Project in which you explain what you already know about your subject, reflect upon your feelings and thoughts about the subject, and suggest how you might develop your understanding of the subject. (Suggested length: 500 words. 10% of course grade.)

Thursday

February 7

Barry, Visual Intelligence (Part III, "Controversial Images"; 253-338)

Week 6

Tuesday

February 12

Mitchell, Picture Theory (1-107)
Read about Jerome Bruner and Leo Postman's "Tales of the Unexpected"

Thursday

February 14

Mitchell, Picture Theory (109-50)
Blakesley, Illuminating Rhetoric (Preface Part 1, and Introduction; digital packet)

Bi-Weekly Response #3 Due

Week 7

Tuesday

February 19

Mitchell, Picture Theory (151-207)
Blakesley, Illuminating Rhetoric (Chapter 1; digital packet)

Thursday

February 21

Illuminating Rhetoric continued.

Week 8

Tuesday

February 26

Robbe-Grillet, The Voyeur (3-71)
Walker Percy, "The Loss of the Creature" (digital packet)

 

Thursday

February 28

Annie Dillard, "Total Eclipse" (audio recording; in-class)
Robbe-Grillet, The Voyeur (75-140)

Project Step 3 Due: An Information Project. Find out what is already known about your subject and communicate that knowledge concisely in 2,000 words or less. The form of this portion of the project could be an annotated bibliography, a bibliographic or informative essay (i.e., a review of the literature), or some other format conducive to conveying information. Your purpose at this stage will be to inform, not to take a critical stance. This stage will culminate with a 5-10 minute oral presentation on your subject to the rest of the class.(Suggested length: 2,000 words. 15% of course grade.

Note that presentations for this step will take place on Tuesday, March 5.

No Bi-Weekly Response due this week!

Week 9

Tuesday

March 5

Project Step 3 Presentations Due: A 5-10 minute oral presentation on your subject to the rest of the class.
Mitchell, Picture Theory (211-39)
Robbe-Grillet, The Voyeur (143-219)
Annie Dillard, "Total Eclipse" (digital packet)

Exploration Project Tips: 20 Questions for Exploration (RTF format) or "The Open Essay" (PDF format)

Thursday

March 7

Mitchell, Picture Theory (329-62)
Presentations continued.

Bi-Weekly Response #4 Due

Week 10

Tuesday

March 12

Spring Vacation

Thursday

March 14

Spring Vacation

 

Week 11

Tuesday

March 19

Film Viewing: The Usual Suspects (Part I)

Thursday

March 21

Film Viewing: The Usual Suspects (Part II)

Week 12

Tuesday

March 26

Baudrillard, Simulations ("The Precession of Simulacra"; 1-42) (U of Michigan edition)
Blakesley, “Sophistry, Magic, and the Vilifying Rhetoric of The Usual Suspects" (digital packet)

Thursday

March 28

Discussion of The Usual Suspects
Baudrillard, Simulations ("History: A Retro Scenario," 43-48; "Hypermarket and Hypercommodity," 75-78; and "The Implosion of Meaning in the Media," 79-86)

Bi-Weekly Response #5 Due

Week 13

Tuesday

April 2

Miller, On Reflection (pp. 1-98)
Project Step 4 Due: The Exploration Project will be the stage when you foster intellectual "turbulence" by investigating the many facets and problems of your subject, asking a number of questions and offering a number of answers for each question, without feeling the need to present these questions and answers in a tightly organized essay. I want to see 10 questions, with 1-2 paragraph answers each. (Suggested length: 2,000 words. 10% of course grade.)

Thursday

April 4

Miller, On Reflection (pp. 99-209)

Week 14

Tuesday

April 9

Miller, On Reflection continued.

Thursday

April 11

Mark Taylor, "Strange Loops" (Digital Packet)
Bi-Weekly Response #6 Due

 

Week 15

Tuesday

April 16

James Elkins, "Just Looking" (Digital Packet)
Images of the Argus (PDF; 500 KB)

Thursday

April 18

Film, Visions of Light

Week 16

Tuesday

April 23

Visions of Light continued (with discussion).
Watch the Strange Loops movie (Quicktime; 1 MB)

Thursday

April 25

Visual Rhetoric on the Web
Course Evaluations

Finals Week

Finals

April 29-May 3

Project Step 5 Due: A Working Document Project where you will present the results of your inquiry in a format and with the depth that suits it. If you use a traditional format, think of your working document as the draft of a journal article. If another format, you'll just need to be careful to cover your subject matter effectively, given the medium and your purpose. A website or other multimedia presentation is possible. (Suggested length: 4,000 words. 20% of course grade.)

 

Last Updated: April 21, 2002 --DB