The "Real" Issue

Per one of the discussion questions, I got to thinking that maybe the real issue isn’t as specific as should we/and how do we incorporate more visual rhetoric into the composition class. At least not for me. As George asserts, it’s probably a bad idea to if your justification is merely holding student interest or making the class more “fun.” Don’t get me wrong, I believe these are great things to strive for, just not good enough for the sole base of a pedagogy. I think the real issue is how can we create assignments that better reflect the composing processes that students are all ready participating in and simultaneously help them better understand and interpret the arguments that surround their daily lives. I don’t feel the tired ol’ academic essay fits any of these requirements. The world does not come at them in the form of well-wrought and logically-based essays, it comes at them in a wash of visuals, text, emotion, and desire. They don’t sit down to make sense of/or contribute to this interplay by writing an essay, but many of them compose in multimedia environments on a daily basis (have you seen the loving visual rhetoric some teens put into their Myspace pages!).

The issue is: why try to start from scratch? Students are composing all the time and interacting with compositions all the time—just not the kind traditional composition classes have insisted they must value. And I’m not sure why these things—like the traditional essay—are so valued. I don’t know myself, so I certainly have never been able to explain it to them. Contrast this with the music video assignment my students just finished (we watched a sample one in class here a few weeks ago). Over half the class has bragged to me about how long it took to make (8-10 hours on the average), how they simply had to show their parents, or about the comments they’ve been getting about the video on Youtube or their Myspace pages. Six years of teaching and I’ve never heard this kind of feedback from my students. Is this because it was a heavily focused visual-rhetoric assignment? No. I think it’s because they got to make an argument in a form that seems to fit into the world as they know it and makes sense outside the confines of these lil ol university walls.

Submitted by mark p on Wed, 2007-03-28 08:09.

Morgan S.'s picture
Submitted by Morgan S. on Wed, 2007-03-28 14:43.

Mark, you make some very good points here, and I really agree with you. And, congratulations on an assignments that the students clearly enjoyed. I especially liked your point about the world coming at students “in a wash of visuals, text, emotion, and desire,” and I really like your subtle assertion that we should encourage them to compose within that kind of space—one with which they are familiar and obviously (based on your music video assignment) enjoy.

It seems like the more I learn about teaching, the more questions I have. I understand why the field of composition has been raising the same issues for so long. And I think now, with the push toward digital communication, these questions and others are presented anew. What (content/?) should we be teaching in the composition classroom? What qualifies as writing, composing, speaking? By what standards do we judge progress? I imagine that these questions will continue to bump up against more traditional notions of what FYC should be, or do, and I wonder about the direction of composition as a field.


Ryan's picture
Submitted by Ryan on Thu, 2007-03-29 10:05.

This is a really good blog, Mark, and I feel indicted by it in many ways. I often worry that I include visual rhetoric into my classes just to make it fun or sex it up. I certainly do feel that students learn rhetorical concepts better that way, but I also just like seeing them involved. As far as them showing their parents and feeling proud of their work is concerned, I think it involves, as you said, them translating their thoughts into a medium they understand well and that shows well. Who's ever been wowed by an essay like we were wowed by student's video in class? I think they realize the currency of visual mediums and the power of their effect.


magnoliafan's picture
Submitted by magnoliafan on Thu, 2007-03-29 10:53.

Should this WOW effect factor into the choices we make about format of assignments or are we just being trendy?

L-Train


Morgan S.'s picture
Submitted by Morgan S. on Sun, 2007-04-01 21:48.

The one really cool added bonus here is that the assignment interests students, a claim we cannot make (unfortunately) for all our assignments. If we can use this assignment within a process or sequence, integrating more writing-based genres along the way, I think we might have something.


mark p's picture
Submitted by mark p on Tue, 2007-04-03 09:54.

I didn't mention it in the orginal post, but there was a more tradition writing assigned with this project. They had to write a 4-5 page essay explaining how they consciously shaped logos, ethos, and pathos while putting the movie together. I'd like to think that even the writing of this essay was more interesting for them, since they were analyzing something they'd created instead of some deatched text.


magnoliafan's picture
Submitted by magnoliafan on Tue, 2007-04-03 10:24.

I want to think that, too, but I don't know if the students are really interested, even in a discussion of their own work.

L-Train


magnoliafan's picture
Submitted by magnoliafan on Thu, 2007-03-29 10:04.

Right- these repeating questions. I've begun to think of the interminable comp questions as a cyclical process that is like the seasonal hibernation that certain animals go through. As the seasons of composition change (in the form of technology or accepted pedagogy or whatever) we renew the core of the field with these questions.

That's a lot more abstract than I wanted to get.

L-Train