Visual Space and Access

I'm working on a paper about snobbiness and cultural capital for Pat's Public Rhetoric class, which lead me to notice an interesting visual rhetoric of space in a book store this weekend. It was a fairly large store, plenty of different categorized sections. What was interesting was the placement of the Literature section. The store's check out counter was a big raised oppressive affair, truly signifying: you the customer can not come back here. Which is fine. But the lit section was basically located behind this counter, although there was a small walkway to the side of the counter that you could use to reach it (the section was also next to the the employee's only door, another sign of restricted access). I think the point is obvious: the placement of the section very much broadcasts: this section is not for you, you're not going to care, we just have to have it, and you need to cross a threshold to get here. Fascainating.

Submitted by mark p on Sun, 2007-04-08 09:35.

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Submitted by Adryan on Mon, 2007-04-09 14:12.

What if we take this from a different persepctive? What if your interest in literature qualifies you to occupy these priviledged positions. by loving "real" books, you're closer to the literary elite insiders who provide the goods. just thinkin'


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Submitted by mark p on Fri, 2007-04-13 07:40.

That's actually what I was trying to imply, maybe I wasn't too clear! Another little tid-bit, the actual wall of lit books appeared very bland. Older "classics" tend to be republished in mass by the same companies and end up all having a very similar spines. So the entire wall was basically a sea of black spines with white titles. Very little to distinguish one from the other-- unlike the crazy mosaic of colors and fonts in the other sections. How's that for homogonous assimilation?